Tuesday, February 6, 2018
Five Fingers (1952)
The script is credited to Michael Wilson but was apparently entirely rewritten by Mankiewicz.
In March 1944 L.C. Moyzisch (Oskar Kollweis), the German Millitary Attaché at their embassy in Turkey, is approached by a rather persuasive man with an extraordinary offer. He will sell British secrets to the Germans. Not just any secrets, but incredibly important ultra-sensitive material.
The problem for the Germans is that Cicero is supplying them with such high-level material that they have no means of verifying that any of it is genuine. Both Moyzisch and the Gernan Ambassador, Count Franz Von Papen (John Wengraf), are convinced the documents are genuine but the Gestapo are concerned by the possibility that Cicero is a British double agent feeding the Germans false intelligence.
Diello has an arrangement with a beautiful Polish exile, Countess Anna Staviska (Danielle Darrieux). He needs her as a cover and she needs the money that he gives her. It’s a professional relationship but with the possibility of becoming something more personal. He may be in love with her and she may be in love with him but in the world of the spy no-one can really be sure of anything.
The Germans have also sent a senior intelligence man to Ankara to investigate Cicero’s bona fides. Colonel von Richter of the Gestapo (Herbert Berghof) is suspicious of Cicero right from the start. So Cicero is a spy being investigated by both his friends and his enemies, although of course a spy really has no friends.
This is a very low-key spy thriller. Mankiewicz was not exactly renowned as an action director and his style is straightforward and perhaps a little prosaic. There’s no question that a Hitchcock given this material would have produced a much more exciting and stylish action thriller. But to be fair to Mankiewicz, that’s not the sort of film he was trying to make. He was more interested in making a slightly cerebral and witty spy thriller with an emphasis on the paranoid psychology of the world of spies. And judged by those criteria Five Fingers works very well indeed. And the ending gives us a whole series of delicious ironic twists. Highly recommended.