Saturday, October 19, 2019
Assignment: Paris (1952)
Dana Andrews stars as ace New York Herald Tribune reporter Jimmy Race. He’s covering the trial of an American named Anderson convicted of espionage in Hungary. The newspaper’s Paris bureau chief Nick Strang (George Sanders) wants to tread carefully. He has the crazy old-fashioned idea that newspapers should stick to the facts. There’s no evidence that Anderson was wrongly convicted so it would be wrong to make such a claim. Jimmy Race has no time for outdated ideas like journalistic ethics. He doesn’t really care if Anderson is guilty or not. Jimmy just wants to lead an anti-communist crusade. It’s fairly clear that the viewer is expected to be on Jimmy’s side.
Of course there’s a romantic complication. Nick and glamorous reporter Jeanne Moray (Märta Torén) are in love but Jimmy’s personal morals are on a par with his professional ethics so he sets out to steal Nick’s girl. Jeanne is French so naturally she was in the Resistance during the war.
Now Nick and Jeanne have to find a way to get Jimmy out.
There’s not a great deal of excitement to be had here. Mostly it’s predictable and the characters are not interesting enough to persuade us to care very much what happens to them.
Assignment: Paris is included in the nine-movie Noir Archive Blu-Ray set from Kit Parker Films. Its claim to being film noir thematically are non-existent, and visually they’re very very thin. The attempts to make us believe we’re in Paris and Budapest are about as convincing as you'd expect in a Hollywood movie of this era. Robbert Parish directed and you can see why his career was less than stellar. Supposedly Phil Karlson also took a hand which I guess gives it a very tenuous connection to film noir.
The most interesting thing in the movie is seeing the bad guys editing audio tape by hand, using scissors.
This is not so much a spy thriller as an out-and-out propaganda film, and a fairly clumsy one. The hero is meant to be noble and brave although to me he seems to be an obnoxious jerk. The other good guys are very heroic. The bad guys are totally evil but not in an interesting way. The screenplay by William Bowers is heavy-handed. A newspaper story needs to be snappy and sparkling but this one fails to ignite.
As anti-communist hysteria movies go Assignment: Paris isn’t outrageous enough to be fun. It’s fairly stodgy. Even Dana Andrews completists might want to think twice about bothering with this one.
I honestly cannot recommend this film, even as a rental.