Robert Taylor is John Nordley, an American who operates a charter boat service in a small British port. His latest job involves a brief cruise in English coastal waters. His passenger is a Dutchman named Anselm. Anselm wants Nordley to take him to the Netherlands. That could cause problems with the British authorities. Nordley had not informed them that he would be heading to a foreign port. But Anselm is paying well.
It’s established from the start that Nordley is a nice guy but perhaps not scrupulously honest. He’s not quite a crook but he can be persuaded to bend the rules and perhaps venture just a little bit outside the strict letter of the law.
He makes it to a Dutch port but by this time his passenger is deceased. Nordley assumes the man had a heart attack.
He’s puzzled when the man’s daughter appears in a small power boat and invites herself aboard his yacht just before he reaches that Dutch port. He’s even more mystified that she seems to be looking for something and having failed to find it she departs very suddenly.
Nordley has already found something curious, a letter with a diagram, among Anselm’s effects.
The Dutch police have astonishing news for Nordley. His passenger was not a man named Anselm. He was a high-ranking Dutch police officer, Inspector Sluiter, engaged in a mysterious investigation in England.
Both Nordley and the Dutch police are puzzled by Sluiter’s actions. Was Sluiter involved in something shady?
Nordley has another surprise in story for him. That girl who came to meet his yacht is no relative to the dead man. She is Elsa (Linda Christian). And now another woman has shown up who really is Inspector Sluiter’s daughter, Constanta (Nicole Maurey). Nordley is not sure that he trusts either woman. They’re not sure that they can trust him.
The mysterious Captain Rohner (Eric Pohlmann) is interested in that letter as well. Nordley has no doubt that Captain Rohner cannot be trusted at all but he is open to the idea of a deal, if the terms are favourable.
That letter is a key, in a metaphorical sense. A key to something interesting, fascinating and valuable. Probably not legal, but nobody involved in this tale is overly concerned with legalities.
Robert Taylor is ideally cast. He did the world-weary slightly morally corrupted thing so very well in so many movies at this period and he does it extremely well here.
Eric Pohlmann is always an absolute joy to watch and he’s in fine form here. Nicole Maurey and Linda Christian are good. Philo Hauser is fun as Nordley’s useful but very disreputable and thoroughly untrustworthy friend Charlie Ponz.
The plot is nicely worked out. There’s not much action (although there is some). Mostly the movie relies on an atmosphere of double-dealing and general moral murkiness.
This is a low-key but fine entertaining thriller and I do enjoy nautical thrillers so it’s highly recommended.
The Warner Archive DVD offers a very satisfactory transfer.
This movie was based on the 1952 novel The House of the Seven Flies by Victor Canning, a now forgotten but very fine British thriller writer.