Wednesday, March 7, 2018
Tip on a Dead Jockey (1957)
Phyllis Tredman (Dorothy Malone) goes to Reno, for the usual reason, but finds it’s not as easy as she imagined since she seems to have no valid grounds for a divorce. In fact when she thinks about it she realises she has no idea why she is getting divorced. All she knows is that her husband Lloyd wrote to her from Madrid (where he has been living apart from her for nearly two years) asking her to divorce him and he gave no reason. So she decides that perhaps she should go to Madrid and find out what is going on. What she discovers is not quite what she expected.
Lloyd Tredman (Robert Taylor) seems like a pretty nice guy but there is something that is not quite right about him. He’d been a flyer, and a very good one, in both World War 2 and the Korean War. Now he seems to be drifting. His life seems too irresponsible and precarious for a middle-aged man.
And now Lloyd is in trouble. He’s in big money trouble. He’s been making his living mostly from gambling and he’s had some bad luck (although it’s possible that luck actually had nothing to do with it). There is a way out. He’s been offered an enormous amount of money to do a very simple job. It’s not exactly legal but it appears to be almost risk-free and it also appears to be not really immoral. The problem is that it involves flying.
It’s all very promising but then it starts to pull its punches a bit. Of course it’s always worth remembering that no-one in Hollywood in the 40s or 50s was consciously making film noir. In retrospect we read film noir themes into many of the crime films of the era but at the time the film-makers were just making crime movies. If you accept this movie simply as a crime movie it works quite well with the darker moments being a bonus for modern film noir fans.
Dorothy Malone gives a fine performance as the sympathetic wife trying her best to understand the struggle her husband is having with his private demons. Jack Lord is pretty solid as Lloyd’s buddy Jimmy.
Tip on a Dead Jockey was made in Cinemascope and gives the impression of having had a fairly decent budget, and it’s an MGM production so it certainly doesn’t look cheap. Robert Taylor was still a fairly big star. This all suggests that the movie was either a cheap A-picture or at the more expensive end of the B-picture spectrum. Content-wise however this is pure B-movie stuff.
Which is fine, I like B-movies. There are some decent aerial sequences, Robert Taylor is extremely good, there’s some suspense and some romance. It’s not a great movie but it deliver perfectly adequate entertainment. Recommended.