Monday, July 2, 2018
The Deadly Game (1954)
As with most of Hammer’s crime films there is an imported American star. These were usually second-tier stars but mostly they gave quite decent performances. Lloyd Bridges is the star of this one and he plays American songwriter Philip Graham. He’s on holiday in Spain when he runs into Tony Roscoe, an old friend with whom he served in the R.A.F. during the war. Tony suddenly announces that Philip must drive him to the airport - he must fly back to London immediately. He persuades Philip to drive his car back to England for him. He also persuades Philip to bring with him an envelope which is apparently of absolutely crucial importance.
Things start to take a curious turn when Philip is driving back from the airport in Tony’s car. A group of toughs set upon him and beat him up.
Things get more curious when Philip arrives in London with Tony’s car. He has stumbled into a very awkward situation which includes industrial espionage, blackmail and murder.
There’s an actress, Mitzi Molnaur (Simone Silva), who might be able to fill in the missing pieces of the jigsaw for him but Mitzi is not the sort of girl you’d be happy about having to trust. There’s another girl as well, a Spanish girl, Marina (Maureen Swanson). Philip is rather taken by Marina but she could be involved in some of the shady activities that Tony Roscoe was mixed up in.
The screenplay is serviceable but relies a bit too much on lucky accidents such as the hero just happening to be in the right place to overhear a vital conversation that explains key plot points.
The main problem is that it’s all fairly predictable, and the characters are pretty much stock characters. The action moves back and forth between Spain and London but to be honest the attempt to add an exotic flavour with the Spanish setting doesn’t work especially well.
There’s not much here to justify the film noir label. This is a straightforward crime/spy thriller and it’s fairly typical of British movies in that genre at this period. In other words it’s a competently made little movie. It’s a B-movie and visually there’s nothing to get wildly excited about, although the fight in the loft is a quite clever visual set-piece and the ending isn’t too bad.
Third Party Risk is a rather average spy thriller B-feature with nothing to particularly recommend it but it’s a harmless time-killer.