Tuesday, February 24, 2026

You’ll Never Get Rich (1941)

Given that You’ll Never Get Rich, released by Columbia in 1941, was the first movie that teamed Fred Astaire with Rita Hayworth and that it was the movie that made her a star I was looking forward to watching it. In fact it turned out to be a huge disappointment for a variety of reasons.

Robert Curtis (Fred Astaire) is producing a Broadway show. Sheila Winthrop (Rita Hayworth) is one of the chorus girls. The owner of the theatre, Martin Cortland (Robert Benchley), is pursuing Sheila while trying not to let his wife find out about it. He tries to cover his tracks by making it appear that Robert is the one pursuing her. Both Robert and Sheila realise they’re being manipulated and they’re soon at odds with each other.

The first time Rita Hayworth appears on the screen we’re knocked out by her star quality, her beauty, her charm and her wit.

So at this early stage the movie looks like it’s going to be a fine breezy musical romance.

Then it becomes a totally different movie. It becomes a service comedy, and there is no species of movie I dislike more than service comedies. This was 1941, America was not yet in the war but Hollywood had worked itself up into a war frenzy which presumably explains why we get to see Fred Astaire in uniform and most of the film takes place on an army base. War was coming (or at least that’s what Hollywood hoped) and it was going to be so much fun.

It’s not just a service comedy, it’s a lame service comedy. The comedy is not just feeble it’s excruciating.

Inevitably this switch means that Rita Hayworth gets nowhere near as much screen time as she should get. She gets few opportunities to dance with Astaire and they have only one great dance together. This is a problem since Hayworth is the best thing in the movie. In fact she’s the only good thing in the movie.

You’ll Never Get Rich is in black-and-white. That’s OK, I love black-and-white movies. But the 1930s RKO Astaire Rogers movies had exquisite black-and-white cinematography and stunning sets. You’ll Never Get Rich has dreary black-and-white cinematography and boring ugly sets.

Even the costumes are dull, apart from one really nice dress won by Hayworth. But she should have been put in lots of gorgeous dresses.

It has a score by Cole Porter (something which should be a major asset) but it’s an entirely forgettable score.

The screenplay, by Michael Fessier and Ernest Paganoin, is feeble. The service comedy plot is the film’s major plot strand and it should have been ditched in its entirety. The love story between Fred and Rita is relegated to being a minor subplot when in fact it should he been the whole movie. The entire script should have been thrown in the trash can and decent writers hired to write a new one.

Director Sidney Lanfield’s efforts are barely competent.

Hayworth is great but Astaire is all at sea with material that doesn’t suit him at all. Robert Benchley is a lot of fun as the inept philanderer. The other members of the supporting cast are either unmemorable or irritating.

I hate to say this but this is a terrible movie. Unless you’re a Rita Hayworth completist it’s not worth bothering with.

The second (and final) Astaire-Hayworth musical, You Were Never Lovelier, is much much better. In fact it’s terrific.

No comments:

Post a Comment