Tuesday, October 24, 2017
Dame Beatrice Appleby (Athene Seyler) is an elderly lady who devoted herself to charity work. Or at least she did until her money ran out. She supplements her income by taking in lodgers, and a motley collection they are. There’s Major Albert Rayne, for whom the war years were the best years of his life. Of course the war years were not all that dangerous for him, since he commanded a mobile bath unit. There’s the seriously scatterbrained Miss Pinkerton (Elspeth Duxbury), held together by regular doses of her nerve tonic. And there’s the very formidable Nanette Parry (Hattie Jacques).
Dame Beatrice can only afford one servant. Lily (Billie Whitelaw) is devoted to the old lady, as well she might be. When Lily got out of prison Dame Beatrice have her a chance.
There’s only one thing for Dame Beatrice and her lodgers to do. They have to return the coat. An undertaking which proves even more challenging than stealing a coat. Major Rayne realises immediately that the matter must be approached as a military operation. In actual fact it’s more like a comedy of errors but somehow they manage to pull it off.
And they discover that they like doing this sort of thing a great deal. They suddenly feel alive again. They’re no longer a bunch of superannuated eccentrics. They’re daring thieves, but with a touch of Robin Hood. Soon they’re the most successful gang in London. They’re complete amateurs but that’s why they succeed - their methods are so outrageously bizarre that the police are baffled.
It’s a recipe for non-stop fun and that’s what this movie delivers. There’s a nice mix of verbal and visual humour. There are a few mildly risque gags, but they’re actually funny. The robberies are inspired lunacy. Everything always goes wrong but somehow this gang always seems to get away with it. The scene in which the Major tries to fence for their stolen goods is a wonderful comic set-piece.
Make Mine Mink is absolutely delightful. Sheer joy from start to finish. Very highly recommended.
Tuesday, October 17, 2017
It starts in classic film noir style with a guy picked up by the police as a suspect in a murder. He then tells his story in an extended flashback.
Stanley Maxton (Mickey Rooney) had cracked up during his Korean War service but he recovers to be discharged and heads off to LA hoping to resuscitate his career as a musician. Two chance encounters in cars will change his life forever.
Firstly he meets Sonny Johnson (James Craig) when Johnson’s car accidentally runs him off the road. Sonny is very apologetic and not only offers to replace Stanley’s drum kit which was smashed in the accident, he also offers him a job. An extremely well-paid job. Sonny is a businessman. His business is not exactly legal. In fact it’s totally illegal. Stanley doesn’t mind that. The pay is good and he’s anxious to earn as much money as he can as quickly as possible so he can buy a club of his own. Stanley’s willingness to accept a job that he knows is illegal is his first step on the road to ruin. He just doesn’t quite have the moral fibre to say no to easy money.
Night-club owner Fluff (William Demarest) tries to warn Stanley about her but Stanley isn’t listening. He’s in love. He’s busy day-dreaming about buying a little house and enjoying married bliss with Jane and he’s wondering how many kids they should have. Jane is doing what she always does. She is deciding how useful Stanley can be to her career. The answer is, not very useful at all. Sonny on the other hand could be very useful to her.
Mickey Rooney made several forays into the film noir genre and he actually makes a very good noir protagonist. Rooney could be a fine actor when he put his mind to it, and when he was given the opportunity. Sally Forrest gets the femme fatale role but this is an MGM movie and it’s a musical so she can’t go over-the-top with the standard femme fatale stuff. She has to be a femme fatale but a wholesome femme fatale. In some ways this actually works quite well. It makes her cynicism more shocking and it makes her much more dangerous. How could a girl who looks so darned cute be a bad girl? Overall Sally Forrest does a decent job of acting here.
So far I’ve talked about the film noir angle, but this is also a fully-fledged musical with lots of musical numbers. They’re integrated reasonably well with the main plot and after all it’s not unusual for film noir to deal with the worlds of show business, night-clubs and music so it does make some sense to have musical interludes. There are however just too many musical numbers and they slow down the plot to an extraordinary degree.
On the other hand the music is pretty good, which you’d expect when you’ve got musicians like Louis Armstrong, Earl Hines and Jack Teagarden in the cast.
This movie was shot in black-and-white which helps its noir credentials a little but there’s really not much in the way of genuine noir visual styling or atmosphere. On the other hand it does capture the seedy glamorous night-club feel pretty well (with some good location shooting in actual night-clubs as well).
The Strip is an odd hybrid and it’s more successful than you might anticipate. It has a decent film noir plot with a couple of good twists. It’s also closer to genuine noir than you’d expect from an MGM production. It’s interesting enough to earn a highly recommended rating.
Wednesday, October 11, 2017
This is a slightly unusual pirate movie in that the heroes are two distinguished real-life US Navy officers, Captain (Later Commodore) David Porter and Lieutenant (later Admiral David Farragut. They are sent on a secret mission by the US Navy to discover the whereabouts of a pirate flotilla infesting the Caribbean. Captain Porter’s frigate, the USS Essex, is to fly the Jolly Roger while his crew disguise themselves as a crew of cut-throat buccaneers.
The secret mission takes a surprising turn when the Essex encounters a Portuguese ship-of-the-line. The counterfeit pirates assume they’re about to be attacked and, given that they are badly outgunned, probably sunk. When they hoist the Jolly Roger a strange thing happens. The Portuguese warship leaves them alone. Something odd is definitely going on. In fact Captain Porter and his crew are about to sail into a very tangled web of international intrigue and double-dealing.
The main weakness of Yankee Buccaneer is that being a B-movie it doesn’t have the spectacular action scenes that a pirate movie needs to have. On the other hand quite a bit of imagination is shown in providing the kind of adventure that can be managed on a low budget and it’s enough to maintain the viewer’s interest (although the shark scene is a major disappointment since the shark is much too obviously a rubber shark). There’s a reasonable fight scene towards the end with some swordplay but sadly there are no sea battles.
Having a competent cast helps things along. Jeff Chandler does a fine job as Captain Porter, making the character a stickler for discipline and a rather hard and inflexible man but still making him fairly sympathetic. Porter might be a martinet but he knows his job and he cares for the safety of his crew. Scott Brady is pretty good as Farragut and like Chandler is able to give his character at least a small amount of depth. Suzan Ball is convincing enough as the proud and headstrong countess. Suzan Ball was one of Hollywood’s most tragic starlets. She was just eighteen when she made this picture and sadly had just three years of life left to her.
This movie is included in Universal’s four-movie Pirates of the Golden Age boxed set. There are no extras but the transfer is excellent. The set is definitely worth getting if you’re a pirate fan. So far I’ve seen three of the four films and Against All Flags, Buccaneer’s Girl and Yankee Buccaneer are all worth a watch. Strangely enough my favourite of the three is Buccaneer’s Girl, although that could have some connection with my Yvonne de Carlo infatuation.
Yankee Buccaneer is decent solid and completely harmless B-movie entertainment. Recommended.
Wednesday, October 4, 2017
Bernard Curzon (Oliver Johnston) is the founder of a cosmetics company, Venetia Beauty Products. The company has been very successful but as Curzon is getting on in years he had decided to take on some new partners, to revitalise the firm. Mitchell Logan (Alfred Burke) and his wife Pauline (Zena Marshall) have certainly had a dramatic effect on the company. They have all but ruined it. Sales are practically non-existent. The company cannot pay its bills. Even worse, the books are not likely to stand up to any close scrutiny. Things look hopeless, but Mitchell has a plan. The company is broke but the factory is insured for a great deal of money. If a fire were to break out then all their financial problems would disappear in a puff of smoke so to speak. It’s a foolproof plan.
Even allowing for such minor irritations it still seems they will get away with it. All they need is a bit of luck, or at least the absence of bad luck. What they don’t need is a young insurance investigator with all the zeal and enthusiasm of youth.
And due to those little unforeseen details mentioned earlier this is not just a case of arson. It’s murder as well.
The cast is the movie’s biggest strength. Before finding fame with the long-running (and excellent) Public Eye television series Alfred Burke was a familiar face in British B-movies. This movie gives him a rare starring role. He’s nicely sneaky and cold-blooded. He seems to be attempting an American accent but it comes and goes. Fortunately it doesn’t detract from his performance. Zena Marshall is good as Pauline Logan, a classy woman but rather a nasty piece of work. Suzanne Neve gets the good girl role as Curzon’s daughter and secretary Shirley and she’s a rather charming if not wildly exciting heroine. John Cazabon is creepy in a low-key but effective way as the firebug Willy Kyzer.
The cosmetics angle allows for some touches of glamour that add a bit more interest. It’s also useful in making the arson more plausible, cosmetics factories being full of highly inflammable chemicals so that when they burn you can rely on them to burn to the ground in a conveniently short time. The low budget (and Merton Park movies were very low budget) is no great problem since the people making these Edgar Wallace potboilers were used to such things and knew what they were doing.
Backfire! is nothing more than a fairly routine B-movie but it’s a well-made one and it’s a harmless and fairly enjoyable time-killer. Recommended.