Friday, May 25, 2018
It begins with the discovery of a body floating in the Thames. The body is that of Oxford academic Professor Raven and he has clearly been murdered. He had been the head of an archaeological research institute and when he disappeared the Kytang Wafers disappeared as well. The Kytang Wafers are three stones that had been fused together, containing inscriptions that may prove the existence of a very early Asian civilisation. The Kytang Wafers now have political importance as well since their existence is very inconvenient for one of the powerful neighbours of the small modern-day state of Kytang. That powerful neighbour has always argued that Kytang was never more than an insignificant province which should be re-absorbed as soon as possible.
The mystery element doesn’t stay a mystery for long but that’s OK because after all this is an Edgar Wallace adaptation and Wallace was known as a writer of thrillers rather than of mysteries.
John Bentley was one of those reliable English actors who made a fine hero in his younger days (playing dashing figures like the Toff and Paul Temple) and made an equally fine policeman in middle age. Patrick Allen overacts enjoyably as American archaeologist Nelson Pollard (he’s a suspect because he was captured in the Korean War so he could have been brainwashed by the communists), as does John Glyn-Jones as the institute’s deputy director (he’s a suspect also since he’s a Czech and therefore could be a communist agent). William Gaunt (later better known for the TV series The Champions) as another institute member who could be a suspect since he’s involved in a romantic triangle isn’t given enough to do but he’s still very solid.
Director Clive Donner had a very up-and-down career which included quite a few spectacular flops. His approach in this film is a little eccentric but it’s interesting. He comes up with some nice compositions and a few cool camera angles.
This movie is part of Network’s Edgar Wallace Mysteries Volume 2 boxed set. The anamorphic transfer is excellent.
The Sinister Man isn’t exactly a good movie but it has plenty of energy and a few intriguingly odd moments. I found it to be strangely appealing. It’s very Edgar Wallace and it’s very B-movie. Recommended.
Friday, May 18, 2018
Jane Hoyt (Susan Hayward) arrives in Hong Kong. She is looking for her husband. He’s a photojournalist who decided there would be a great opportunity for a story in China. Unfortunately he didn’t bother to get permission to enter the People’s Republic and since he departed from Hong Kong no-one has heard anything of him. Both the British authorities in Hong Kong and the American consul have made enquiries but have hit a brick wall. Mrs Hoyt is however a woman who does not give up easily.
Hank Lee is willing to help Jane Hoyt to get her husband out of China, but his motives are rather complicated. He’s fallen for Jane in a big way but he wants to win her fair and square which means he has to rescue her husband. Then she can choose, either Hank or her husband.
Finally however it is going to be necessary to take some pretty risky steps to rescue that missing husband. It’s a bit of a harebrained scheme and Inspector Merryweather is not the sort of man to get mixed up in such nonsense but nonetheless he does get mixed up in it.
Gable was 54 when he made this picture, and a rather weatherbeaten 54 at that. He’s still Clark Gable though, he still has the mischievous charm and he still has the charisma.
Gene Barry plays the missing husband and unfortunately doesn’t get a great deal to do.
For me the best thing about the movie is the evocation of a lost world. Hong Kong under British rule, the whole expatriate thing with Europeans slowly going to seed in the tropics, it’s a strange, exotic and glamorous world and it’s all gone now.
The Region 4 DVD is barebones but offers a good anamorphic transfer.
Soldier of Fortune had plenty of potential but the surprisingly flabby script lets it down a bit and director Edward Dmytryk doesn’t quite manage to generate enough of a spark to ignite the story. It does look great and the acting is very good and it’s reasonably entertaining so it’s worth a rental.
It's interesting to compare this one with Lady of the Tropics, with similar settings and vaguely similar themes. Neither film is a complete success but both are of interest.
Sunday, May 13, 2018
Bill Carey (Robert Taylor) is young, well-educated, good-looking, charming and penniless. Being penniless isn’t too much of a problem. He survives by being a kind of professional house-guest, his accomplishments ensuring him a welcome among the wealthy. There is no doubt that sooner or later he will snare himself an heiress. In fact he’s well on the way to securing such an heiress when the movie opens.
Manon knows it would be very foolish to become involved with Bill. It cannot end well for either of them. But of course they fall in love anyway. They intend to get married and Bill will take Manon back to America with him. Things do not turn out so smoothly. Bill and Manon find themselves trapped in a bureaucratic nightmare when Manon is refused a passport.
Modern viewers are likely to focus on the doomed inter-racial romance but the plot is actually not quite that straightforward. It’s Manon’s difficulties with the French authorities that drive the plot to its inevitable conclusion but it’s worth noting that these difficulties are caused more by the not quite respectable aspect of Manon’s character than the not quite French aspect. Whether she is actually a courtesan or has simply been the mistress of powerful men is not entirely clear. It’s also worth noting that Manon does have a habit of being economical with the truth, and even out-and-out deceitful. That’s what makes the movie a bit more interesting - Manon is not just an innocent victim of social prejudice, she has created some of her own problems and when she feels trapped her instinct is to lie. She’s a sympathetic but very much a flawed heroine.
Robert Taylor seems to me to be a terribly underrated actor. He got a lot of lightweight roles but his performances were always more than adequate and on those occasions when he landed meatier roles he was often very impressive. This is not one of his more demanding roles, being pure melodrama, but I can’t really see how his performance can be faulted.
Lady of the Tropics has been released on made-on-demand DVD in the Warner Archive series. I caught this one on TCM so I can’t comment on the DVD transfer.
I’m always suspicious of Hollywood movies dealing with “social problems” since they’re almost invariably clumsy, obvious and heavy-handed but Lady of the Tropics is less heavy-handed than most. It is certainly overheated and melodramatic but for me those are features not bugs. It looks splendid and Lamarr’s odd but interesting performance adds interest. I think this one is worth a look. Recommended.
Saturday, May 5, 2018
Ursula (Bardot) is an innocent young girl fresh from convent school and eager to discover love. She’s spending some time with her aunt and uncle in Spain. The uncle, Comte Miguel de Ribera (José Nieto), is something of a lecher. In fact he has just been responsible for driving one of the village girls to drown herself in the well. This has earned him the enmity of the girl’s brother Lambert (Stephen Boyd). The comte also has a sadistic streak combined with ruthlessness and a certain degree of physical cowardice.
Ursula doesn’t think much of her uncle right from the start and she thinks even less of him when he tries to ravish her.
Ursula has stumbled into a web of romantic intrigues and she’s somewhat bewildered. The rising tensions end in murder and the murder is complicated by betrayal and Lambert finds himself on the run from the police, accompanied by Ursula.
So this is now definitely a couple on the run movie, but it’s not the kind of couple on the run movie that you would get from a Hollywood film-maker (or even a British film-maker for that matter). There’s no action. There’s a growing sense of entrapment though - we feel that Lambert and Ursula are unlikely to escape in the long run. The odds just seem to be stacked against them.
The film also has a certain affinity to the western genre, which may perhaps be due more to the scenery than anything else.
By the time Roger Vadim directed this film he and Bardot had already divorced although they would go on to make several further movies together.
Vadim’s movies are certainly uneven but they’re often odd and interesting, such as the rather wonderful Please, Not Now (1961) and the intriguing psycho-sexual melodrama Love on a Pillow (1962). Both of which incidentally starred Bardot.
I have a definite soft spot for Brigitte Bardot. She was at her best in romantic comedies but was willing to take on more serious roles. Her quirky performances tend to be most successful in films that are themselves slightly quirky.
Alida Valli adds the right touch of thwarted passion as the aunt. Stephen Boyd is quite good - he’s often dismissed as wooden but his detached performance conveys the essential fatalism of his character.
The Night Heaven Fell was released on DVD in Region 1 but the disc seems to be a bit hard to find these days. I can’t comment on the disc quality since I caught this movie on television (luckily in a rather nice letterboxed print).