Tuesday, October 11, 2022

Law and Order (1932)

Law and Order (later retitled Guns A'Blazin') is a 1932 Universal western based on W.R. Burnett’s novel Saint Johnson. It stars Walter Huston. One of the writers was John Huston. So that’s an impressive array of talent.

It’s around 1889. Frame Johnson (popularly known as Saint Johnson and played by Walter Huston), his brother Luther (Russell Hopton) and their buddies Brandt (Harry Carey) and Deadwood (Raymond Hatton) have a choice to make. They can take the road to the peaceful but dull town of Alkali or the other road that leads to Tombstone. Tombstone is a much more exciting town but it’s wild and dangerous. They leave the decision to the fall of the cards. They take the road to Tombstone. It’s a fateful decision. Later in the movie there will be another fateful decision decided by a bet.

Frame Johnson is a legendary lawman but he’s determined to hang up his shooting irons. Frame has killed thirty-five men but paradoxically he hates guns and he hates violence. He believes in law and order, but he dreams of a future in which law and order do not depend on the gun.

The last thing Frame wants is to wear a badge again. Tombstone is a lawless town run by the corrupt and vicious Northrup brothers and their cronies, assisted by the equally corrupt sheriff, Fin Elder. Judge Williams wants to appoint Frame a Deputy U.S. Marshal, to clean up the town. Frame wants no part of it. And then fate steps in, in the form of a bet. Frame is soon wearing a deputy marshal’s badge.

Frame and the town council decide to ban guns in Tombstone. Rather daringly, and perhaps rashly, Frame decides that he and his deputies (Luther, Brandt and Deadwood) will give up their guns as well. Law and order will be enforced in Tombstone without guns.

It doesn’t quite work out. There’s another gun killing and Frame has to pick up his shooting irons again. Events are leading inexorably to a showdown with the Northrups and it’s going to be an epic gunfight.

Those who think that westerns didn’t start to become grown-up until John Ford made Stagecoach in 1939 will be very surprised by this movie. Westerns don’t come much more grown-up than Law and Order. Those who think that it was Anthony Mann who first took the western into darker territory will also be in for a surprise. Westerns don’t come much darker than Law and Order.

The tone of the movie is just slightly reminiscent of another Walter Huston movie made in the same year, The Beast of the City. The resemblance is not accidental - The Beast of the City is also based on a W.R. Burnett novel. In that movie Huston is a cop battling gangsters but the thematic similarities are striking.

Walter Huston is superb. It’s a smouldering performance. Frame Johnson is a good man but a dangerous one. When that smouldering fire leaps into flames it would be wise to stand clear.

1932 was an extraordinary year for Huston. He also co-starred with Joan Crawford in Rain, giving a memorable performance as a preacher engaged in a battle of wills with a prostitute.

Among the supporting cast is Andy Devine, looking young and thin! He plays a man accused of murder who is about to be lynched. Frame Johnson intends to put a stop to lynching.

The supporting cast overall is very strong.

Director Edward L. Cahn had an interesting career, becoming best known for schlocky science fiction and juvenile delinquent movies in the 50s. Law and Order suggests that maybe he should have had a more prestigious career. He does a fine job and handles the action scenes well.

This is a very bleak and somewhat gruelling movie. Things are tense from the start and the tension builds steadily.

It has a complicated hero. Frame Johnson is a man with very strong notions but sometimes they’re wrong. Sometimes he’s too idealistic and sometimes he’s too cynical. He believes in law and order but he doesn’t believe that people in general want law and order. He yearns for a better world, a world without constant violence and corruption, a world of peace. But he has doubts as to whether such a world is possible.

Law and Order is an intelligent, provocative, very dark western. Highly recommended.

I picked up this movie in a French DVD release from Sidonis. It’s a pretty good transfer and it includes an unexpected bonus - the 1953 remake of Law and Order starring Ronald Reagan. And both movies are presented in English. I've also reviewed that version - Law and Order (1953).

7 comments:

  1. Dee, good write-up of LAW AND ORDER(filmed 1931, released 1932). Yes, there were grown-up Western Movies made before John Ford's STAGECOACH(filmed 1938, released 1939). I'll name a few here: Jack Conway, Howard Hawks, and William A. Wellman's VIVA VILLA!(filmed 1933-34, released 1934), William A. Wellman's THE CALL OF THE WILD(filmed 1934-35, released 1935), George Stevens' ANNIE OAKLEY(1935), Charles Vidor's THE ARIZONIAN(1935), King Vidor's THE TEXAS RANGERS(1936), Cecil B. DeMille's THE PLAINSMAN(1936), Frank Lloyd's WELLS FARGO(1937), J. Walter Ruben's THE BAD MAN OF BRIMSTONE(1937), James P. Hogan's THE TEXANS(1938), Glenn Tryon's THE LAW WEST OF TOMBSTONE(1938), W.S. Van Dyke's STAND UP AND FIGHT(filmed 1938, released 1939), and Henry King's JESSE JAMES (filmed 1938, released 1939). I've probably left some out, but what the hay. John Ford was a top-notch maker of Western Movies, but there are others that should get more credit than they do.

    LAW AND ORDER is a good one, hands down. It's the first movie to address the Wyatt Earp and Doc Holliday legend, however in a roundabout way. Walter Huston and Harry Carey surrogates, renamed for Earp and Holliday, for the time being. Josie Earp, Wyatt's widow, threatened lawsuits, if the real names were used, unless she was paid for it.

    I agree with your high recommendation of Edward L. Cahn's LAW AND ORDER. Walter S.

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    1. Walter, I'll definitely be adding some of those recommendations to my shopping list. Especially the DeMille movie (I'm a huge DeMille fan).

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    2. Dee, I'm a Cecil B. DeMille fan also. I've been a fan ever since I first viewed DeMille's prologue introducing the BUCCANEER(filmed 1957-58, released 1958), I first viewed this movie on the NBC SATURDAY NIGHT AT THE MOVIES in 1966. I know the credits list DeMille's then son-in-law Anthony Quinn as director and Henry Wilcoxon as producer, but DeMille was the supervising executive producer and I've read that DeMille substantially re-edited the movie. I wonder if Anthony Quinn's director's cut still exists? Anyway, it was DeMille's people behind the camera, as well as in front.

      Back to DeMille's Western Movie Spectacles. UNION PACIFIC(filmed 1938-39, released 1939) is, in my opinion, a really fun and entertaining movie with a top-notch cast. I first viewed this one on Memphis, Tennessee's WREC Channel 3 LATE MOVIE in 1971 and was entertained thoroughly. I also enjoy NORTH WEST MOUNTED POLICE(filmed 1939, released 1940). I first viewed it on the WREC Channel 3 LATE MOVIE in 1972 and it is typical DeMille, in that it is a lavish, colorful, action-packed spectacle in tribute to the North West Mounted Police and Texas Rangers by way of Gary Cooper. Also, don't leave out the frontier saga the UNCONQUERED(filmed 1946, released 1947), especially if you can't stand today's political correct wokeness. Believe you me, there is nothing politically correct here. I really enjoyed this one when I first viewed it on the good ole WREC Channel 3 LATE MOVIE in 1974 and I still like it today. I already mentioned THE PLAINSMAN(1936) and it is a good one with Gary Cooper and Jean Arthur. I first viewed it on the WREC Channel 3 LATE MOVIE in 1974.
      THE PLAINSMAN began DeMille's versions of American History and continued thru the UNCONQUERED.

      Getting on back to grown-up Westerns before John Ford's STAGECOACH. Here are a couple more: William Wyler's Pre-Code HELL'S HEROES(1929) and it is a gritty hard-edged surprising Western of the much told "Three Godfathers" story. I had never viewed this movie until I caught it on Turner Classic Movies in 2012 and it's very well worth viewing. Another version of the same story is Richard Boleslawski's THREE GODFATHERS(filmed 1935-36, released 1936), which I first viewed on Turner Classic Movies in 2011. It is a tough realistic grown-up version. These two realistic Westerns are both very well worth viewing. Walter S.

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    3. Walter, I've enjoyed all the DeMille movies I've seen so far. I like his silent comedies and melodramas and his outrageous pre-code movies. I love SAMSON AND DELILAH and REAP THE WILD WIND and even THE GREATEST SHOW ON EARTH. I've sen UNION PACIFIC and I liked it.

      I haven't seen NORTH WEST MOUNTED POLICE but Umbrella have it in their bargain Six Shooter Classics range so I've just ordered a copy. I'm pretty tempted by UNCONQUERED as well.

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  2. Dee, I don't think that I recommended William Wyler's HELL'S HEROES(1929) enough. This Pre-Code Western, in my opinion, is a Classic. It's very daring for its time, as you can tell by the title. The three bad men, portrayed by Charles Bickford, Raymond Hatton, and Fred Kohler are really bad, especially Bickford. I'm not going to give away too much, but if a movie fan likes Pre-Code and realistic Western Movies, then this will be a treat. I will add that the town in the movie was the real mining town of Bodie, California before most of it burned down three years later. HELL'S HEROES is a recovered gem.

    A pretty good print is on YouTube and it's 1:07:47 in time length.

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    1. I forgot to sign off the above comments on HELL'S HEROES. Walter S.

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    2. HELL'S HEROES is on a Warner Archive DVD, paired with THE THREE GODFATHERS. Sounds pretty tempting.

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