Thursday, April 15, 2021
The movie is set in 1898 with the Cuban revolution against the Spanish providing the historical background. Cash Adams (Ladd) is a former US Army officer who was dishonourably discharged. He now makes his living as a gun runner. He’s being paid to deliver a consignment of guns to Tampa where Cuban revolutionaries will be waiting with $100,000 for him.
The job is much more complicated than he expected. Firstly he and his men are attacked by hijackers before they even reach Tampa and then he discovers that the deal has been changed - he has to deliver the guns all the way to Cuba. The Cubans do agree to double his price which is some consolation.
I don’t claim to know much about nautical matters but I have to say that the riverboat really doesn’t look like it would last five minutes in the open sea.
The second complication is that the riverboat will be taking a second consignment of guns, along with rival gun runner Clay Pike (Lloyd Nolan) and his cohorts. Cash and Pike have hated each other for years so neither man is happy with this development.
There’s yet another complication - they have to deliver a Cuban revolutionary to Cuba as well. The revolutionary is the young and beautiful Doña Isabella (Rossana Podestà).
As you might expect Cash Adams and Pike clash numerous times during the voyage, culminating in a couple of all-in fist-fights. Their clashes have something to do with their pasts but also quite a bit to do with the fact that they both take a shine to Doña Isabella.
And new obstacles just keep on appearing. The gun runners start to wonder just how much they’re going to have to go through to get their money, and whether they’ll live to collect it.
Lloyd Nolan is of course marvellous as the thoroughly amoral Pike. Rossana Podestà may have been a bit miscast here but she’s OK. Chill Wills is fun as the riverboat captain who seems to have spent the whole of an adventurous life on the losing side. I liked Paul Fix as Cash’s old army buddy Trasker.
Gordon Douglas directed. Douglas had a varied career which included some pretty interesting movies including a couple of very good private eye thrillers with Frank Sinatra (Tony Rome and The Lady in Cement), the spy spoof In Like Flint and the sci-fi classic Them! Martin Rackin wrote the screenplay (his other credits include the underrated noirish crime thriller A Dangerous Profession).
What’s interesting is that rather than idealists fighting for a good cause what we have here are bad men fighting (rather reluctantly) for a good cause.
The Warner Archive presentation is extremely good with a fine anamorphic transfer.
Santiago isn’t that bad. It doesn’t quite catch fire the way it should but it looks great. It’s worth seeing if you’re an Alan Ladd or a Lloyd Nolan fan. It’s not one of the adventure classics but it’s reasonable entertainment.